Musical Form: Classical & Romantic Eras: Mass



The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism) to music. Most Masses are settings of the liturgy in Latin, the liturgical sacred language of the Catholic Church’s Roman liturgy, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there are many Masses (often called “Communion Services”) written in English for the Church of England. Musical Masses take their name from the Catholic liturgy called “the Mass” as well.

Masses can be a cappella, that is, without an independent accompaniment, or they can be accompanied by instrumental obbligatos up to and including a full orchestra. Many Masses, especially later ones, were never intended to be performed during the celebration of an actual mass.

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Mozart: Great Mass in C minor, K. 427 (K. 417a)





00:00 – 01. Kyrie 07:24 – 02. Gloria in excelsis Deo 09:51 – 03. Laudamus te 14:26 – 04. Gratias 15:50 – 05. Domine Deus 18:30 – 06. Qui tollis 24:49 – 07. Quoniam 28:39 – 08. Jesu Christe — Cum Sancto Spiritu 33:13 – 09. Credo in unum Deum 36:44 – 10. Et incarnatus est 44:53 – 11. Sanctus — Osanna 48:36 – 12. Benedictus — Osanna






Beethoven: Mass in C major, Op. 86





1. Kyrie 2. Gloria (Qui tollis – Quoniam) (5’56) 3. Credo/Et incarnatus est (16’36) 4. Sanctus (Benedictus – Osanna) (29’02) 5. Agnus Dei (Dona nobis pacem) (40’38)






Dvořák: Mass in D Major, Op. 86





1. Kyrie (0:00) 2. Gloria (8:44) 3. Credo (18:05) 4. Sanctus (30:10) 5. Benedictus (32:31) 6. Agnus Dei (39:55)



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